Francis Turretin (1623–1687) on the beauty of God’s creation as “the highest art”

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“[He] is blind who does not see the most beautiful order everywhere and most wicked who does not acknowledge it. There is a suitable disposition of parts, so constant a concord of things so discordant, so harmonious an agreement and consent of creatures the most diverse, so swift and at the same time equable motion of the heavenly bodies and so immutable a stability and constancy of the order once established. So not only do the heavens declare the glory of God, but every blade of grass and flower in the field, every pebble on the shore and every shell in the ocean proclaim not only his power and goodness, but also his manifold wisdom, so near each one that even by feeling, God can be found. Augustine says, ‘The prophetic voices excepted, the world itself by its own most regular mutability and mobility and the exquisitely beautiful appearance of all visible things, silently as it were proclaims both that it was made and could be made only by a God unspeakably and invisibly great, and unspeakably and invisibly beautiful.’ You may say perhaps that these things were so arranged by chance and by a fortuitous concourse of atoms. But I know not whether such an impious and absurd opinion is worthy of refutation, since these things denote not chance, but the highest art.”

– Francis Turretin (1623–1687), Institutes of Elenctic Theology, vol. 1, p. 171-172

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